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About the Author: Suraiya Faroqhi

Suraiya Faroqhi was born in Berlin to a German mother and Indian father in 1941. She studied at Hamburg University and she came to Istanbul through a university exchange program when she was 21. At Istanbul University, she became a student of Ömer Lütfi Barkan. She completed her master's degree in Hamburg and between 1968-1970 she studied English Language Teaching at Indiana University-Bloomington. After her post-doctorate, she worked as English Lecturer at METU. She retired from METU in 1987 and from München Ludwig Maximillan Universität in 2005.

A turning point in her life came in 1962-63, when she took the opportunity to go to Istanbul University on a fellowship as an exchange student. Subsequently she became a student of Ömer Lüfti Barkan, one of the founding fathers of Ottoman history and an editor of Annales. When she first read Fernand Braudel at Barkan’s insistence, she “had the feeling that’s the sort of thing I wanted to do.” She wrote her doctoral thesis at Hamburg on a set of documents that a late 16th-century vizier submitted to his sultan discussing Ottoman politics at the time.[1]

She is regarded as one of the most important economic and social historians of the Ottoman Empire working today. Professor Faroqhi has written substantially on Ottoman urban history, arts and crafts, and on the hitherto underrepresented world of the ordinary people in the empire. She is well known for her distinctive approach to Ottoman everyday life and public culture. She has published numerous books and articles in the field of pre- modern Ottoman history.


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Hardcover, Published in Jun 2005 by I. B. Tauris

ISBN10: 1860647006 | ISBN13: 9781860647000

Page count: 288

This volume presents research on craft workers within and outside the guild structure from the modern and contemporary Mediterranean world. Several of the essays are based on research relating to the late sixteenth-century Ottoman Empire while other studies deal with traditional style crafts in twentieth-century Turkey and Egypt such as tanning or the manual production of copper vessels where Ottoman craft traditions were still of significance.

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