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About the Author: Gaston Leroux

Gaston Louis Alfred Leroux was a French journalist and author of detective fiction.

In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney, and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.

Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L'Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.

He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bernède formed their own film company, Société des Cinéromans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America. Leroux died in Nice on April 15, 1927, of a urinary tract infection.


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Goodreads rating: 3.97

Paperback, by Wordsworth

ISBN10: 1840220732 | ISBN13: 9781840220735

Page count: 192

The little known, brilliant original text by Gaston Leroux has been immortalized by screen and stage adaptations. One of the greatest horror stories of all time, "The Phantom of the Opera" makes compulsive reading. It abounds with wonderful descriptions, extraordinary events, tragedy, horror, pathos, tremendous humour and a gallery of charming minor characters. Leroux's portrait of the hideous musician, crazed by his own extreme ugliness, shows compassionate insight into a criminally insane mind. Music infuses the story, enriching the many dimensions of the novel which is steeped in the glamour of life at the Paris Opera.The author's knowledge of the building itself and the extraordinary history of its construction create a basis of realism in the story. Incredible, seemingly supernatural elements are artfully fused with real facts, with references to real people, places and events, so that the novel becomes a dazzling blend of illusion and reality. It is hard to distinguish between them, and the result is that each chilling moment is intensified. Gaston Leroux was a master of his genre.

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