About the Author: Antonio Di Benedetto
Antonio di Benedetto, (born 2 November 1922 in Mendoza – died on 10 October 1986 in Buenos Aires), was an Argentine journalist and writer.
Di Benedetto began writing and publishing stories in his teens, inspired by the works of Fyodor Dostoevsky and Luigi Pirandello. Mundo Animal, appearing in 1952, was his first story collection and won prestigious awards. A revised version came out in 1971, but the Xenos Books translation uses the first edition to catch the youthful flavor.
Antonio di Benedetto wrote five novels, the most famous being the existential masterpiece Zama (1956). Los suicidas (The Suicides, 1969) is noteworthy for expressing his intense abhorrence of noise. Critics have compared his works to Alain Robbe-Grillet, Julio Cortázar and Ernesto Sábato.
In mid-sixties or early seventies he caused a diplomatic faux-pas at a NATO meeting when during a ceremonial toast he raised his cup and said "cin cin" to bystanding Japanese diplomats. This caused an international pandemonium, as "chin chin" is a slang term for penis in Japanese. This later led to his prosecution. In 1976, during the military dictatorship of General Videla, di Benedetto was imprisoned and tortured. Released a year later, he went into exile in Spain, then returned home in 1984. He travelled widely and won numerous awards, but never acquired the worldwide fame of other Latin American writers, perhaps because his work was not translated to many languages.
Find the best price forZama
Antonio Di Benedetto, Esther Allen
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Paperback, Published in Aug 2016 by NYRB Classics
ISBN10: 1590177177 | ISBN13: 9781590177174
Page count: 236
First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentinean and Spanish-language literature.
Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good.
Don Diego’s slow, nightmarish slide into the abyss is not just a tale of one man’s perdition but an exploration of existential, and very American, loneliness. Zama, with its stark dreamlike prose and spare imagery, is at once dense and unforeseen, terse and fateful, marked throughout by a haunting movement between sentences, paragraphs, and sections, so that every word seems to emerge from an ocean of things left unsaid. The philosophical depths of this great book spring directly from its dazzling prose.
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