Atlas de la novela europea 1800-1900 Cover Image

About the Author: Franco Moretti

Franco Moretti is an Italian literary scholar, trained as a Marxist critic, whose work focuses on the history of the novel as a "planetary form". He has written five books, Signs Taken for Wonders (1983), The Way of the World (1987), Modern Epic (1995), Atlas of the European Novel, 1800-1900 (1998), and Graphs, Maps, Trees: Abstract Models for a Literary History (2005). His recent work is notable for importing, not without controversy, quantitative methods from the social sciences into domains that have traditionally belonged to the humanities. To date, his books have been translated into fifteen languages.

Moretti has recently edited a five-volume encyclopedia of the novel, entitled Il Romanzo (2004), featuring articles by a wide range of experts on the genre from around the world. It is available in a two-volume English language edition (Princeton UP, 2006).

Moretti earned his doctorate in modern literature from the University of Rome in 1972, graduating summa cum laude. He was professor of comparative literature at Columbia University before being appointed to the Danily C. and Laura Louise Bell Professorship at Stanford University. There, he founded the Stanford Center for the Study of the Novel. He has given the Carpenter Lectures at the University of Chicago, the Gauss Seminars in Criticism at Princeton, and the Beckman Lectures at the University of California-Berkeley. In 2006, he was named to the American Academy of Arts and Sciences. He also has been a fellow at the Wissenschaftskolleg zu Berlin. He is a frequent contributor to the New Left Review and a member of Retort, a Bay Area-based group of radical intellectuals. He is also a scientific adviser to the French Ministry of Research.



Atlas de la novela europea 1800-1900 Cover Image

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Goodreads rating: 4.06

Paperback, Published in May 2001 by Trama Editorial

ISBN10: 8489239231 | ISBN13: 9788489239234

Page count: 208

La tesis central de esta obra es que la geografía es una fuerza activa, concreta, que deja huellas profundas sobre la invención literaria. Poner en relación geografía y novela es tarea que desvela facetas poco conocidas. En los casi cien mapas que contiene este libro se estudia esta relación desde dos perspectivas fundamentales: el espacio en la literatura (que analiza el París de la "Comedia Humana", la España del Guzmán de Alfarache", o el África de las novelas coloniales...) y la literatura en el espacio (las bibliotecas de la época victoriana o la difusión europea del "Quijote" o de los best sellers ingleses y franceses).

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