The Illuminated Table, the Prosperous House. Cover Image

About the Author: Suraiya Faroqhi

Suraiya Faroqhi was born in Berlin to a German mother and Indian father in 1941. She studied at Hamburg University and she came to Istanbul through a university exchange program when she was 21. At Istanbul University, she became a student of Ömer Lütfi Barkan. She completed her master's degree in Hamburg and between 1968-1970 she studied English Language Teaching at Indiana University-Bloomington. After her post-doctorate, she worked as English Lecturer at METU. She retired from METU in 1987 and from München Ludwig Maximillan Universität in 2005.

A turning point in her life came in 1962-63, when she took the opportunity to go to Istanbul University on a fellowship as an exchange student. Subsequently she became a student of Ömer Lüfti Barkan, one of the founding fathers of Ottoman history and an editor of Annales. When she first read Fernand Braudel at Barkan’s insistence, she “had the feeling that’s the sort of thing I wanted to do.” She wrote her doctoral thesis at Hamburg on a set of documents that a late 16th-century vizier submitted to his sultan discussing Ottoman politics at the time.[1]

She is regarded as one of the most important economic and social historians of the Ottoman Empire working today. Professor Faroqhi has written substantially on Ottoman urban history, arts and crafts, and on the hitherto underrepresented world of the ordinary people in the empire. She is well known for her distinctive approach to Ottoman everyday life and public culture. She has published numerous books and articles in the field of pre- modern Ottoman history.



The Illuminated Table, the Prosperous House. Cover Image

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Paperback, Published in Jun 2017 by Ergon-Verlag Gmbh

ISBN10: 3899133234 | ISBN13: 9783899133233

Page count: 352

The Illuminated Table, the Prosperous House brings together fourteen articles by researchers from Turkey and a number of European countries such as France, Germany and Poland. These articles deal with two of the major aspects of material culture, namely food and drink on the one hand, and housing on the other. In no society is it indifferent how people eat and drink, dress and dwell; to the contrary these matters are always highly charged on the symbolic level. Ottoman society had achieved a high degree of coherence in many of its aspects, including material culture. Viewed from the opposite angle, this common material culture may count as one of the indicators that made the empire's remarkably uniform social structure apparent even to the casual viewer. From Sarajevo to Damascus, coffee was drunk from the same kinds of cups, while everywhere, people received their friends seated on raised platforms decked out with rugs and cushions. Moreover the slow and therefore less obvious changes in material culture often had a more profound impact on people's lives than short-term and more 'noisy' political conflicts. The transition of the Ottomans from the world of early modern statehood toward modernity was backed up by multiple transformations in the everyday lives of many men and women. Overall, the urban populations of the empire from the sixteenth century onwards developed an increasing degree of sophistication and differentiation in their ways of living. People found new ways of enjoying their food, putting together their domestic environments or presenting themselves in public. During the last few decades the various remnants of Ottoman material life have attracted growing public attention. Ottoman cuisine and vernacular architecture are cherished not only by experts, but also by Turkish urban dwellers increasingly proud of their cultural heritage, to say nothing of tourists. But even so, serious research in these matters has been slow to develop. It is the aim of the present volume to show what avenues research has taken to date, point out the numerous unexploited or under-exploited primary sources and thus to advance our understanding of this important aspect of Ottoman history.

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