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About the Author: Elinor Glyn

Elinor Sutherland was born in St Helier, Jersey, the younger daughter of Douglas Sutherland (1838–1865), a civil engineer of Scottish descent, and his wife Elinor Saunders (1841–1937).

Her father died when Elinor was two months old and her mother returned to the parental home in Guelph, Ontario, Canada with her two daughters, Lucy Christiana and Elinor.

Back in Canada, Elinor was schooled by her grandmother, Lucy Anne Saunders, in the ways of upper-class society. This early training not only gave her an entrée into aristocratic circles on her return to Europe, but it led to her being considered an authority on style and breeding when she worked in Hollywood in the 1920s.

Her mother remarried a Mr. Kennedy in 1871 and when Elinor was eight years old the family returned to Jersey. When there her schooling continued at home with a succession of governesses.

Elinor married Clayton Louis Glyn (1857–1915), a wealthy but spendthrift landowner, on 27 April 1892. The couple had two daughters, Margot and Juliet, but the marriage apparently foundered on mutual incompatibility although the couple remained together.

As a consequence Elinor had affairs with a succession of British aristocrats and some of her books are supposedly based on her various affairs, such as 'Three Weeks' (1907), allegedly inspired by her affair with Lord Alistair Innes Ker. That affair caused quite a furore and scandalized Edwardian society and one of the scenes in the book had one unnamed poet writing,
Would you like to sin
With Elinor Glyn
On a tiger skin?
Or would you prefer
To err with her
On some other fur?

She had began her writing in 1900, starting with a book based on letters to her mother, 'The Visits of Elizabeth'. And thereafter she more or less wrote one book each year to keep the wolf from the door, as her husband was debt-ridden from 1908, and also to keep up her standard of living. After several years of illness her husband died in 1915.

Early in her writing career she was recognised as one of the pioneers of what could be called erotic fiction, although not by modern-day standards, and she coined the use of the world 'It' to mean at the time sex-appeal and she helped to make Clara Bow a star by the use of the sobriquet for her of 'The It Girl'.

On the strength of her reputation and success she moved to Hollywood in 1920 and in 1921 was featured as one of the famous personalities in a Ralph Barton cartoon drawn especially for 'Vanity Fair' magazine.

A number of her books were made into films, most notably 'Beyond the Rocks' (1906), which starred Rudolph Valentino and Gloria Swanson, and she was a scriptwriter for the silent movie industry, working for both MGM and Paramount Pictures in the mid-1920s. In addition she also had a brief career as one of the earliest female directors.

In 1927, by which time she had published 32 novels, she once again appeared in some verse of the day. Songsmith Lorenz Hart immortalised her in his song 'My Heart Stood Still' when he wrote,
I read my Plato
Love, I thought a sin
But since your kiss
I'm reading missus Glyn!

She was so universally popular and well-known in the 1920s that she even made a cameo appearance as herself in the 1928 film 'Show People'.

As well as her novels, she wrote wrote magazine articles for the Hearst Press giving advice on 'how to keep your man' and also giving health and beauty tips. In 1922 she published 'The Elinor Glyn System of Writing', which gives an insight into writing for Hollywood studios and magazine editors.

In later life she moved to the United Kingdom, settling in London. She wrote over 40 books, the last of which was 'The Third Eye' (1940) and she died in Chelsea on 23 September 1943, being survived by her two daughters.

Gerry Wolstenholme
November 2010


Other books by Elinor Glyn

 

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Paperback, Published in Sep 2013 by Theclassics.Us

ISBN10: 123024798X | ISBN13: 9781230247984

Page count: 46

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 edition. Excerpt: ... "I think I understand," said Stella, greatly interested. "Then you must use your critical faculties and make selections of what is best, and you must encourage commonsense and distrust altruism. Sanity is the thing to aim at." "Yes." "The view of the world has become so distorted upon almost every point which started in good, that nothing but a cultivation of our individual critical faculties can enable us to see the truth; and ninetenths of civilised humanity have no real opinion of their own at all, they simply echo those of others." "I feel that is true," said Stella, thinking of her own case. "It is not because a thing is bad or good that it succeeds, merely how much strength we put into the desire for it," he went on. "But surely we must believe that good will win over evil," and the brown eyes looked almost troubled, and his softened as he looked at her. "The very fact of believing, that would make it come to pass by all these psychic laws. Whatever we really believe we draw to us," he said, almost tenderly. "Then, if I were to believe that all the difficulties and uncertainties would be made straight and just go on calmly, I should be happy, should I?" she asked, and there was an unconscious pathos in her voice which touched him deeply. "Certainly," he answered. "You have not had a fair chance; probably you have never been allowed to do a single thing of your own accord, have you?" "N--no," said Stella. "In the beginning, were you engaged to this good clergyman of your own wish?" And his eyes searched her face. She stiffened immediately, the training of years took offence, and she answered rather stiffly: "I do not think you have the right to ask me such a question, Count Roumovski." He was entirely unabashed. He stroked his...

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