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About the Author: Joe Sacco

Joe Sacco was born in Malta on October 2, 1960. At the age of one, he moved with his family to Australia, where he spent his childhood until 1972, when they moved to Los Angeles. He began his journalism career working on the Sunset High School newspaper in Beaverton, Oregon. While journalism was his primary focus, this was also the period of time in which he developed his penchant for humor and satire. He graduated from Sunset High in 1978.

Sacco earned his B.A. in journalism from the University of Oregon in 1981 in three years. He was greatly frustrated with the journalist work that he found at the time, later saying, "[I couldn't find] a job writing very hard-hitting, interesting pieces that would really make some sort of difference." After being briefly employed by the journal of the National Notary Association, a job which he found "exceedingly, exceedingly boring," and several factories, he returned to Malta, his journalist hopes forgotten. "...I sort of decided to forget it and just go the other route, which was basically take my hobby, which has been cartooning, and see if I could make a living out of that," he later told the BBC.

He began working for a local publisher writing guidebooks. Returning to his fondness for comics, he wrote a Maltese romance comic named Imħabba Vera ("True Love"), one of the first art-comics in the Maltese language. "Because Malta has no history of comics, comics weren't considered something for kids," he told Village Voice. "In one case, for example, the girl got pregnant and she went to Holland for an abortion. Malta is a Catholic country where not even divorce is allowed. It was unusual, but it's not like anyone raised a stink about it, because they had no way of judging whether this was appropriate material for comics or not."

Eventually returning to the United States, by 1985 Sacco had founded a satirical, alternative comics magazine called Portland Permanent Press in Portland, Oregon. When the magazine folded fifteen months later, he took a job at The Comics Journal as the staff news writer. This job provided the opportunity for him to create another satire: the comic Centrifugal Bumble-Puppy, a name he took from an overly-complicated children's toy in Aldous Huxley's Brave New World.

But Sacco was more interested in travelling. In 1988, he left the U.S. again to travel across Europe, a trip which he chronicled in his autobiographical comic Yahoo. The trip lead him towards the ongoing Gulf War (his obsession with which he talks about in Yahoo #2), and in 1991 he found himself nearby to research the work he would eventually publish as Palestine.

The Gulf War segment of Yahoo drew Sacco into a study of Middle Eastern politics, and he traveled to Israel and the Palestinian territories to research his first long work. Palestine was a collection of short and long pieces, some depicting Sacco's travels and encounters with Palestinians (and several Israelis), and some dramatizing the stories he was told. It was serialized as a comic book from 1993 to 2001 and then published in several collections, the first of which won an American Book Award in 1996.

Sacco next travelled to Sarajevo and Goražde near the end of the Bosnian War, and produced a series of reports in the same style as Palestine: the comics Safe Area Goražde, The Fixer, and the stories collected in War's End; the financing for which was aided by his winning of the Guggenheim Fellowship in April 2001. Safe Area Goražde won the Eisner Award for Best Original Graphic Novel in 2001.

He has also contributed short pieces of graphic reportage to a variety of magazines, on subjects ranging from war crimes to blues, and is a frequent illustrator of Harvey Pekar's American Splendor. Sacco currently lives in Portland.



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Goodreads rating: 3.33

Paperback, Published in Nov 2003 by Jonathan Cape

ISBN10: 0224072706 | ISBN13: 9780224072700

Page count: 216

Sacco paved the way for Palestine with his powerful triptych on modern war and its innocent victims, originally published in his comic Yahoo and collected here: 'When Good Bombs Happen to Bad People' chronicles the effect of aerial warfare on civilians, from Germany and Japan in World War II to Libya in 1986; 'More Women, More Children, More Quickly' is written from a victim's perspective, as Sacco illustrates his mother's harrowing experiences during Italian and German WWII raids on Malta; and 'How I Loved the War', Defeatist's centrepiece, is Sacco's impassioned but sardonic reflection on the Gulf War, and the surrounding propaganda and media circus. Published during the reign of Bush I, it has since acquired an even sharper relevance.

Defeatist also features Sacco's first (relatively) long-form piece, 'In the Company of Long Hair', a hilarious roadie's-eye view of an American punk band's eventful European tour from Amsterdam to Madrid, as well as 'Cartoon Genius', 'Voyage to the End of the Library', 'A Disgusting Experience', and 'On My Day Off', a cycle of funny and rueful autobiographic comics that display Sacco's graphic verve to its fullest extent.

Defeatist is rounded off with a large section of Sacco's earliest, pointedly satirical strips (none of which has been collected in book form before) and new introductions and notes by the author.

A combination of youthful indiscretions and mature masterworks, Notes from a Defeatist spotlights the work of a brilliant young artist as he defines the capabilities and potential of his chosen medium.

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