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About the Author: Zora Neale Hurston

Zora Neale Hurston was an American folklorist and author. In 1925, shortly before entering Barnard College, Hurston became one of the leaders of the literary renaissance happening in Harlem, producing the short-lived literary magazine Fire!! along with Langston Hughes and Wallace Thurman. This literary movement became the center of the Harlem Renaissance.

Hurston applied her Barnard ethnographic training to document African American folklore in her critically acclaimed book Mules and Men along with fiction Their Eyes Were Watching God and dance, assembling a folk-based performance group that recreated her Southern tableau, with one performance on Broadway.

Hurston was awarded a Guggenheim Fellowship to travel to Haiti and conduct research on conjure in 1937. Her work was significant because she was able to break into the secret societies and expose their use of drugs to create the Vodun trance, also a subject of study for fellow dancer/anthropologist Katherine Dunham who was then at the University of Chicago.

In 1954 Hurston was unable to sell her fiction but was assigned by the Pittsburgh Courier to cover the small-town murder trial of Ruby McCollum, the prosperous black wife of the local lottery racketeer, who had killed a racist white doctor.
Hurston also contributed to Woman in the Suwanee County Jail, a book by journalist and civil rights advocate William Bradford Huie.



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Goodreads rating: 4.09

Paperback, Published in Jan 2008 by Harper Perennial Modern Classics

ISBN10: 0061350176 | ISBN13: 9780061350177

Page count: 368

Mules and Men is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within the social context of black life, the stories, "big old lies," songs, Vodou customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of African Americans.

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