About the Author: Amy Tan
Amy Tan (Chinese: èšæ©ç¾Ž; pinyin: Tán Ä’nmÄ›i; born February 19, 1952) is an American writer whose works explore mother-daughter relationships and what it means to grow up as a first generation Asian American. In 1993, Tan's adaptation of her most popular fiction work, The Joy Luck Club, became a commercially successful film.
She has written several other books, including The Kitchen God's Wife, The Hundred Secret Senses, and The Bonesetter's Daughter, and a collection of non-fiction essays entitled The Opposite of Fate: A Book of Musings. Her most recent book, Saving Fish From Drowning, explores the tribulations experienced by a group of people who disappear while on an art expedition into the jungles of Burma. In addition, Tan has written two children's books: The Moon Lady (1992) and Sagwa, The Chinese Siamese Cat (1994), which was turned into an animated series airing on PBS. She has also appeared on PBS in a short spot on encouraging children to write.
Currently, she is the literary editor for West, Los Angeles Times' Sunday magazine.
Find the best price forThe Opposite of Fate
Amy Tan
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Paperback, Published in Jul 2004 by Harper Perennial
ISBN10: 0007170408 | ISBN13: 9780007170401
Page count: 398
Unbearably moving, intensely passionate, deeply personal account of life as seen through the eyes of one of America's best-loved novelistsWhen I began writing this history, I let go of my doubts. I trusted the ghosts of my imagination. They showed me the hundred secret senses. And what I wrote is what I discovered about the endurance of love. So writes Amy Tan at the beginning of this remarkably candid insight into her life. Tan takes us on a journey from her childhood, as a sensitive but intelligent young Chinese American, ashamed of her parents' Chinese ways, to the present day and her position as one of the world's best-loved novelists. She talks of beauty and how she was perceived as a teenager in a country where Marilyn Monroe was the ultimate sex symbol. She describes the daily difficulties of being at once American and Chinese and yet feeling at times like she was truly neither. Most significantly, and heartbreakingly, she tells the history of her family: the grandmother who committed suicide as the only means of defiance open to her against a husband who ignored her wishes; her remarkable mother, whose first husband had her jailed when she tried to leave him; and the shocki
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