Emerson: Poems (Everyman's Library Pocket Poets) Cover Image

About the Author: Ralph Waldo Emerson

in 1803, Ralph Waldo Emerson was born in Boston. Educated at Harvard and the Cambridge Divinity School, he became a Unitarian minister in 1826 at the Second Church Unitarian. The congregation, with Christian overtones, issued communion, something Emerson refused to do. "Really, it is beyond my comprehension," Emerson once said, when asked by a seminary professor whether he believed in God. (Quoted in 2,000 Years of Freethought edited by Jim Haught.) By 1832, after the untimely death of his first wife, Emerson cut loose from Unitarianism. During a year-long trip to Europe, Emerson became acquainted with such intelligentsia as British writer Thomas Carlyle, and poets Wordsworth and Coleridge. He returned to the United States in 1833, to a life as poet, writer and lecturer. Emerson inspired Transcendentalism, although never adopting the label himself. He rejected traditional ideas of deity in favor of an "Over-Soul" or "Form of Good," ideas which were considered highly heretical. His books include Nature (1836), The American Scholar (1837), Divinity School Address (1838), Essays, 2 vol. (1841, 1844), Nature, Addresses and Lectures (1849), and three volumes of poetry. Margaret Fuller became one of his "disciples," as did Henry David Thoreau.

The best of Emerson's rather wordy writing survives as epigrams, such as the famous: "A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines." Other one- (and two-) liners include: "As men's prayers are a disease of the will, so are their creeds a disease of the intellect" (Self-Reliance, 1841). "The most tedious of all discourses are on the subject of the Supreme Being" (Journal, 1836). "The word miracle, as pronounced by Christian churches, gives a false impression; it is a monster. It is not one with the blowing clover and the falling rain" (Address to Harvard Divinity College, July 15, 1838). He demolished the right wing hypocrites of his era in his essay "Worship": ". . . the louder he talked of his honor, the faster we counted our spoons" (Conduct of Life, 1860). "I hate this shallow Americanism which hopes to get rich by credit, to get knowledge by raps on midnight tables, to learn the economy of the mind by phrenology, or skill without study, or mastery without apprenticeship" (Self-Reliance). "The first and last lesson of religion is, 'The things that are seen are temporal; the things that are not seen are eternal.' It puts an affront upon nature" (English Traits , 1856). "The god of the cannibals will be a cannibal, of the crusaders a crusader, and of the merchants a merchant." (Civilization, 1862). He influenced generations of Americans, from his friend Henry David Thoreau to John Dewey, and in Europe, Friedrich Nietzsche, who takes up such Emersonian themes as power, fate, the uses of poetry and history, and the critique of Christianity. D. 1882.

More: http://www.rwe.org/

http://plato.stanford.edu/entries/eme...
http://transcendentalism-legacy.tamu....
http://en.wikipedia.org/wiki/Ralph_Wa...
http://www.poets.org/poet.php/prmPID/201
http://www.pbs.org/wnet/ihas/poet/eme...
http://www.biography.com/people/ralph...
http://www.online-literature.com/emer...
http://www.emersoncentral.com/


Emerson: Poems (Everyman's Library Pocket Poets) Cover Image

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Hardcover, Published in Sep 2004 by Everyman's Library

ISBN10: 1400043166 | ISBN13: 9781400043163

Page count: 256

Ralph Waldo Emerson is one of the best-loved figures in nineteenth-century American literature. Though he earned his central place in our culture as an essayist and philosopher, since his death his reputation as a poet has grown as well.

Known for challenging traditional thought and for his faith in the individual, Emerson was the chief spokesman for the Transcendentalist movement. His poems speak to his most passionately held belief: that external authority should be disregarded in favor of one’s own experience. From the embattled farmers who “fired the shot heard round the world” in the stirring “Concord Hymn,” to the flower in “The Rhodora,” whose existence demonstrates “that if eyes were made for seeing, / Then Beauty is its own excuse for being,” Emerson celebrates the existence of the sublime in the human and in nature.

Combining intensity of feeling with his famous idealism, Emerson’s poems reveal a moving, more intimate side of the man revered as the Sage of Concord.

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