Later Symphonies (Nos. 35-41) in Full Score Cover Image

About the Author: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart full name Johann Chrysostom Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical era. He composed over six hundred works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.

Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at seventeen he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. Visiting Vienna in 1781 he was dismissed from his Salzburg position and chose to stay in the capital, where over the rest of life he achieved fame but little financial security. The final years in Vienna yielded many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.

Mozart always learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute". His influence on all subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years".


Later Symphonies (Nos. 35-41) in Full Score Cover Image

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Paperback, Published in Jun 1974 by Dover Publications

ISBN10: 048623052X | ISBN13: 9780486230528

Page count: 288

This volume contains the full orchestral scores of Mozart's Symphonies 35-41, reprinted directly from the Breitkopf & Härtel Complete Works Edition.
Included are: Symphony No. 35 in D Major, K.385 ("Haffner"); Symphony No. 36 in C Major, K.425 ("Linz"); Symphony No. 37 in G Major, K.444; Symphony No. 38 in D Major, K.504 ("Prague"); Symphony No. 39 in E-flat Major, K.543; Symphony No. 40 in G Minor, K.550; and Symphony No. 41 in C Major, K.551 ("Jupiter").
Do not confuse this with a piano rendering; it is the full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to record sets or broadcasts. In no other manner can the listener appreciate the full orchestral richness of these works.

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